In Gorillaz, we got a living, breathing playlist. Even when they projected dystopia, they made the future sound bright (“On Melancholy Hill”).
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That they had no fixed line-up and an ever-rotating series of vocalists and collaborators (from Elton John to De La Soul, Clash bassist Paul Simonon to Afro-Cuban singer Ibrahim Ferrer) not only undercut old ideas of what it meant to be a “band”, it projected a vision that felt communal, even a little utopian, unbound by borders cultural, stylistic or otherwise. The announcement comes in tandem with the recent 15th anniversary of the group’s breakout album, Demon Days. Demon Days is the second studio album by English virtual band Gorillaz.It was first released on in Japan and on in the United Kingdom by Parlophone and in the United States by Virgin Records. 0946 311688 2 6, 00946 311688 2 6, 311 6882, Intro, Last Living Souls, Kids With Guns, O Green. Gorillaz Announce New Book Gorillaz Almanac. But in retrospect, Gorillaz’s work-the electro-indie pop of “Feel Good Inc.” and “Dare”, the leftfield hip-hop of “Clint Eastwood” and “Dirty Harry”, the bits of American gospel, African folk and dub-reflected a rootless, fragmented world that has only gotten more familiar with time. Gorillaz - Demon Days - Parlophone, Parlophone, Parlophone - CD, Album, Copy Prot. The question hit them: If culture was already fake, why keep pretending it was real?Īt first glance, the idea of an animated “virtual band”-the sprightly 2-D, rogue Murdoc Niccals, gangsta Russel Hobbs and sweet outsider Noodle-seemed a little gimmicky, an art-school shot at mainstream pop. Booklet: The booklet insert for the standard edition of the LP is interesting as well as instead of presenting the lyrics for each song, instead individual images that represent each are on the pages. This was the dawn of reality TV-shows that turned so-called real life into pre-packaged stories and people into cartoons.
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The concerts saw the band performing the album in full each night with most featured artists from the album present.
Their eyes were glazed, their minds empty. The band chose to forgo traditional live touring in support of Demon Days, instead limiting live performance during the album cycle to a five night residency in November 2005 at the Manchester Opera House billed as Demon Days Live. One day in the late '90s, comic-book artist Jamie Hewlett and Blur singer Damon Albarn were sitting around in their West London flat watching TV-a brand-new Panasonic, eight channels on screen at once.